elanorelle wrote:Or did the White Witch take what was good, the creatures that Aslan had already created and bend them to her will which in turn made them as hideous on the outside as they were on the inside? This theory is possibly the most reasonable because Satan does work like that, taking what is good and changing it.
But how much power has he to change them physically, biologically?
For hags, human or tree nymphs won over to black magic might do. But Minotaurs would involve some kind of transhumanism. Maybe a Tisroc had some brilliant evil idea from Tash and carried it out, after which he sent the results to the White Witch as a present?
Of course, transfaunism might do as well.
And if there were fauns in the real world, I don't know exactly where they came from, but Rob Skiba would vote demonic inspired transhumanism.
I think there were by the way.
"I am such a bad faun" has a precedent in Patristics. When St Anthony wanted to visit St Paul the First Hermit he passed by a faun who was crying because idolatry was menacing him with damnation, if God should punish him for being idolised by Pagans, and also a Centaur, where he wasn't sure if it was real or not. See St Jerome's Vita Sancti Anthonii. That is, he wasn't sure if it was a creature of God or an image provoked by the devil to scare him - but the Centaur when asked shouted out sth incomprehensible but pointed the right way.
marmota-b wrote:I've always perceived Black Dwarfs to be more on the effectively bent side
Black and red dwarfs are from the time when CSL wrote an allegory.
Near the utter North of the World where Pilgrim's Regress is set, there is a giant barbarian who is served by dwarven supporters - both red and black dwarfs.
Since all of the other characters, or nearly, and all of the adversaires (all), are in that allegory very easily identified either states of mind or ideologies, obviously CSL was referring to Communist and Fascist workers parties.
And yes, I think CSL was a bit swayed in the antifascist prejudice, like about the Spanish War - which his friend Tolkien regretted.
In Trumpkin and Nikabrik you see a bit of atheism in the former and occultism in the latter - which was CSL's view of Communists and Nazis. Not that all other Fascists were into that, but it seems Nazis were.
Hair colour racism has probably occurred on Ireland. Gaels being suspicious of blondes, generally English or earlier Viking, English being suspicious of redheads who was often Gaels.
So, Nikabrik and Trumpkin were not two kinds of creature, they were simply dwarfs engaged in hair colour racism. But one of them an atheist, one of them an occultist on top of that.
Lily of Archenland wrote:We know that there are omissions in the narrative because, for example, Marshwiggles weren't mentioned at creation either.
Never thought about that one.
True.
CSL threw the imaginative fireworks off as they came, so to speak, he was not incessantly revising, like Tolkien did.